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| In the second half of XIX century. , a new understanding of the challenges of restoration: restore the original form of the monument to the prior study the works of furniture art relevant period. Loss have to compensate by copying the remaining parts or similar of subjects. However, in view of the widespread private Restoration of collectibles in this period has largely commercial purposes, therefore, along with the restoration of original existed and forgery and misrepresentation. Private restorer sought increase the amount of work to do as new furniture. At the turn of XIX and XX centuries. formed the basis of scientific restoration of museum exhibits most fully developed in respect of monuments architecture, monumental and easel painting. A large contribution to the creation of theory of scientific restoration of cultural monuments made by the Soviet architects, artists and art historians. The basic principles of this theory Venice Charter enshrined the II International Congress of Architects and technicians (1964), as well as a number of decisions of international organizations for the protection and restoration of monuments. Chief of these principles is that a restored monument of culture considered primarily as a historical document, and value which only increases with time, so it is distortion or modification allowed. Restoration actions should be directed mainly on the strengthening, preservation of the monument. As for the furniture, then the theoretical foundations of scientific restoration of currently under development. Practical restoration is mainly based on traditional methods and techniques. As in the second half of XIX century., for the majority of restorations is restoration of monuments as objects of furniture art. At the same time with to "improve" the exposition of the form object is often practiced his renovations, which sometimes adversely affects its condition. In recent years, many countries have witnessed an increased interest in cultural history, the problems of restoration and works of art, including arts and crafts and, in particular furniture. |