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| 5. Making up losses during the restoration carried out only if there is enough reliable information. When part of the design or decorative elements product is lost, there is a problem of its restoration. Surviving identical or symmetrical elements are used as a model and dub. The same is done in the case where the missing part preserved in another product, part of the same set (in restoration chairs, for example), or another known instance (when the furniture deliberately repeated). At the same time as possible using the same materials as the original. If the missing item is a unique and analogs of such furniture not its reconstruction requires special attention and care. When it comes to substantial part of products that affect its design and appearance (Top of the back of the chair, for example), the reconstruction is necessary. In this If used as analogues of other products that are identical with respect to time style and performance, as well as drawings, paintings, photographs and other illustrative material. If there are no analogues of the decorative elements, they do not restore any in the case where the missing parts are so small that no spoil the overall appearance of the article, nor in the case where, on the contrary, restore them would require too great additions. In each particular case, must seek an optimal solution, the general scheme here unusable. 6. Do not try to make the restoration go unnoticed. Many good restorers believe the restoration of honor to conceal, to make it invisible, Believing that the restored furniture loses its value. They are sometimes doing a more costly and unnecessary work, trying to restoration of the mask: simulate wormhole cracks in veneer, contamination or wear on gilding and finishes, forging new items under the old. It should not, of course, in relation to furniture to apply the principles of restoration archaeological sites, according to which the restored (new) part of should be very clearly identified. In furniture, they should at least dissolved in the remaining parts. It is necessary to ensure that restoration was not shocking, very conspicuous, it should be invisible from a distance, leaving a solid product and harmonious. At the same time Experts studying antique furniture, the difference in the old, original elements and additions should be apparent. For this purpose it is enough by fitting hue make a slight difference between the old and new parts of the product. |