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| In the process of restoration of furniture should be guided by the rules set forth below. 1. Maintain a maximum of old, authentic elements in the product. Necessary seek to retain and use all parts of furniture, which can still serve (wood, veneer, flooring, etc.), and enter as possible new items. So, do not replace solid wood, only if it is not too impressed rotten. Partially destroyed squared elements build a better, even if it is markedly than do new ones. Veneers should be replaced only if it is badly damaged: cracked, thinned by sanding with a previous restoration. To preserve the strength of the product is allowed to manufacture new items framework, which will not be visible during exposure. In this case, part of the old parts, if the wood is still quite strong, is used to repair visible parts of the furniture. 2. Avoid drastic and irreversible action. The principle of reversibility - major restoration. All of which makes the restorer must be reversible (conservation, repair and replenishment of losses) to a future when more advanced methods, if necessary, could be possible new restoration. Not allowed to use insufficiently tested new (in particular synthetic) materials and technologies that cause or may cause a further irreparable harm to the restored product. This refers to permanent impregnation, used for processing wood, damaged wormhole, glues, solvents, finishes etc. We should not unnecessarily disassemble for repairs parts of it, especially faced with the furniture. The fragile veneer can affect by demolition, in addition, it is possible distortion of the original type of object. With the restoration of carved furniture with gilt gesso and often old gilt was removed completely, regardless of the degree of preservation of the object. At the However, it is well known that in most cases, ground thread the XVIII century. On furniture and other products delicately worked out with a chisel, or struck, or etched. Destroying the earth author and gilding the XVIII century. We thus distort the monument. Produced by re-processing of a surface master's hand of our time does not keep writing era. The thing is losing authenticity. |